favorite painters

Love Story, Love Art

Love, love, love.

In addition to painting, I love reading and growing plants.  I used to read

a lot

when I was young.  My backup career ideas as a teen were Library Science and English Literature.  Like some of you may have, I quit reading fiction when I got BUSY.  A few years ago, my mom gave me a hardcover copy of “I Capture the Castle” by Dodie Smith (who also wrote the original 101 Dalmatians story and hit plays for the

London

stage), and I got re-hooked!

I like romantic stories and classics and some poetry, and that overflows into my painting life and always has.  One important piece of being an artist is BEING an artist; that is living life as a story.  The things I can control-doing my best to make them beautiful- and the things I can’t control- doing my best to make the most good out of them.

I’ve always loved reading artist’s biographies and journals.  I’m fascinated by the connections between what they painted with how they lived.  The more I know of their lives, the more emotion I pull from the work.  If I have a real life encounter with an exhibition of paintings by Manet or Cezanne, for example, I am powerfully moved-even if their work hadn't been of noted interest to me before.  There is something about connecting the story of their lives with their original work that I find so moving.  

I do a lot of thinking about "why buy art?  Why watch art?  Why make it?"

There is much I could say about this topic and I’m interested in what

you

have to say about it, and today I’ll just share this thought: Art and the making of it and the living of it is part of a story, the story of the maker

and

the story of the person who collects it.  At that point our stories meet and mingle.  The art expresses something of the buyer’s taste and experience that the painter shares with them.  The artist’s accomplishments become part of the collector’s personal story.  I LOVE this tapestry.  Story is so beautifully human.

Still Life Inspiration from Sir William Nicholson (1872-1949)

Still Life Inspiration from Sir William Nicholson (1872-1949)

 I almost have the feeling that he would set about to paint something and honestly not know how he was going to pull it off. I don’t think he had any doubt in his ability to pull it off, it’s more that he was unafraid of different techniques and even rather unconventional points of view- odd angles, even including rather odd items or compositional elements. His unique perspective makes his work feel fresh to me.

ON MY TRIP TO AN ANTIQUES SHOW IN BALTIMORE AND WYETH COUNTRY

 August 2015

I got home a few days ago from a road trip with my husband, Joseph, to visit a big antique, art, and jewelry show in Baltimore. I wanted to see if there were a lot of potential Thimgan collectors there, and I think there were. I may tweak my plans a bit, but I think I got some excellent feedback and met some really interesting art and antique dealers form all over the world.

Inside three days, I whisked through hundreds of booths of amazing art, saw some favorite pieces in the Cleveland Museum of Art, and visited the Brandywine River Museum, as well as an a tour of Andrew Wyeth’s studio which he used until his death in 2009, if I understood correctly. The Brandywine River setting alone was breathtaking…some pastorals will come out of what I saw there.

I’ve never been a huge fan of Andrew Wyeth’s exactly. I’ve read biographies on him and his dad, N.C. (Nowell Convers) and don’t deny the incredible force they possessed. I’m partial to N.C. and Andrew’s son, Jamie Wyeth’s work as I mentioned in a blog entry a few years ago. Again, Andrew’s work is utter genius, some of it is just darker than I…enjoy.. for lack of a better word. I saw the Helga exhibit in Maine when I was about 20 years old and I remember the emotional force of it today.

Cleveland Museum of Art, a stunner by one of may favorite painters, Henri Fantin-Latour

I went to the Cleveland Art Museum to see works by Chardin like this one, and Fantin-Latour.

I can never see too many Corot's!

A booth at the Antique Show in Baltimore

The N.C.Wyeth room at the Wyeth Museum in PA

Taking in last moments outside Andrew Wyeth's studio

The lovely Brandywine River from a window in the Wyeth Museum