THIMGAN HAYDEN’S BLOG
Tag
- Arnold Bocklin 1
- Art Residency 1
- Artegiro 1
- Artsy Life Community 1
- Autumn 1
- Beauty in Art 1
- Big Magic 1
- Books 2
- Calcium Carbonate 1
- Catholic Bishop 1
- Cezanne 2
- Commissions 1
- Georgette Heyer 1
- How-to Video 1
- I Capture the Castle 1
- Inness 1
- Island of the Dead 1
- Italy 3
- Michigan plein-air 2
- Montefiascone 1
- Night Landscapes 1
- Open Studio Plans 1
- PICCOLOs 1
- Painting in Florence 1
- Pierce Cedar Creek Institute 1
- Poetry 2
- Portrait Projects 4
- Pre-Raphaelites 1
- Provence 1
- Rebecca Harp 1
- Watercolor 1
- Why Collect Art? 2
- William Nicholson 1
- about me 1
- about prints 1
- art and life 1
- art business 3
- art trips 2
- black mirror 1
- books 1
- canvas 1
- classical motifs 1
- collecting art 1
- creativity 3
- fall 1
- favorite painters 4
- floral 3
- florals 2
- giclee 1
- gouache 1
Blinded by Emotion: Can Visual Art Express Such a Thing?
I have a thread of blindness running through the years of my life.
This morning I determined that my preoccupation with seeing (which results in painting, among other activities) but not understanding (a wee bit of what we now call autism, maybe?) results in a kind of sightlessness that has lived within my shadow side as long as I can remember.
Beauty and Bocklin
As humans we aren’t always in the mood for beauty, and that’s totally a valid state of mind. It doesn’t mean beauty is no more. I think Beauty meets us in our deepest moments… it folds us entirely, including our pain and want, in its gentle arms and rocks us back and forth as a loving mother might.
All Through the Night: A Painting and Welsh Winter/Christmas Song
Soft the drowsy hours are creeping,
Hill and vale in slumber sleeping,
I my loving vigil keeping,
All through the night.
My Georgette Heyer Project
I started on this project because I’m a Heyer fan myself. It was my mom’s idea to do some paintings of Heyer, because she wanted to hang one as inspiration above the table where she (my mom) writes and figured other fans might as well. We both wanted a painting that felt vintage and was pleasing as art, yet recognizable as a portrait of Heyer.